THE THING (1982)
4/4
By John Ulmer
"I know I'm human. And if you were all these things, then you'd just
attack me right now, so some of you are still human. This thing
doesn't want to show itself, it wants to hide inside an imitation.
It'll fight if it has to, but it's vulnerable out in the open. If it
takes us over, then it has no more enemies, nobody left to kill it.
And then it's won."
John Carpenter's "The Thing" is one of the most entertaining horror
films ever made – fast, clever and purely exciting from start to
finish. This is how all movies of the genre should be made.
Taking place in the Antarctic in 1982, the movie focuses specifically
on a group of American scientists. We are given no introduction to
their mission, but are thrust into their existence when a pair of
seemingly crazy Norwegians appears at their base camp, chasing an
escaped dog. The Norwegians are killed, and the dog finds its way into
the colony, which is when things really start to get crazy.
It is soon made quite clear that the "dog" is actually a
shape-shifting alien organism, which manifests itself upon the
physical form of its victims – in other words, it begins to eat the
Americans, and imitate them so well that the remaining humans cannot
discern the difference between their friends and enemies
The pack of scientists, led by MacReady (Kurt Russell), begin to fight
for their own survival, using wits instead of brawn. If the Thing is
indeed amongst them, then how are they to go about revealing it? How
many Things are there? How can the Thing be killed? (Or can it be
destroyed at all?)
The creature's origins in the film are explained easily: Thirty
thousand years ago a spacecraft plummeted to Earth, and was frozen in
the Antarctic ice. The Thing tried to escape, and was discovered in
the ice by the Norwegians, who unknowingly released it from its
natural prison.
"The Thing," the movie itself, is similar to Ridley Scott's iconic
"Alien" (1979). Many comparisons have been made – the protagonists are
stranded in a desolate area, stalked by a seldom seen foe that manages
to kill them off one-by-one. However, "The Thing" – for all practical
purposes – came first.
Based on the famous short story "Who Goes There?" by John W. Campbell,
Jr. (writing under pseudonym as Don A. Stuart), the film was
originally adapted as a feature production in 1951 by Howard Hawks and
Christian Nyby. The result was "The Thing From Another World," an
unarguable classic. But to be fair, it bore little resemblance to the
short story, and Carpenter's remake does it more justice.
The idea of the Thing being able to adapt the physicality of anyone is
what essentially makes this movie so great, and is the most vital link
to the short story. In 1951 the special effects were simply too poor
to reasonably portray the shape-shifting organism, but thirty-one
years brought many advances in SFX.
Creature effects artist Rob Bottin does an excellent job of turning
what could have easily become a cheesy gore-fest into a startlingly
frightening (and realistic) mess of blood and fear. The Thing,
although never actually taking one specific form, is constantly seen
in a morphing stage, and the effects are simply superb. They still
pack a punch twenty-two years later.
Ennio Morricone's score (nominated for a Razzie Award at the time) is
a bit too electronic and tinny, but nevertheless haunting when used
correctly.
From the fact that its cast consists entirely of males, to the fact
that its ending is one of the most thought-provoking and untypical
conclusions of all time, "The Thing" – by any standards – is
unconventional Hollywood at its best. It comes as no surprise that, at
the time of its release, "The Thing" performed poorly in theaters, and
"E.T." – released the same year and featuring a much kinder alien –
became the higher-grossing picture of the two (by far).
In the long run, however, "The Thing" is superior in almost every
conceivable way. Spielberg's tale is outdated and flopped during its
20th Anniversary Re-Release. "The Thing," on the other hand, has
gradually climbed a ladder of cult classics – it is one of the most
famous non-famous movies ever made.
Carpenter is notorious for having a very uneven career – from his
amazing "Assault on Precinct 13" (1976) to the magnificent "Halloween"
(1978) to the disappointing and silly "Escape from L.A." (1996), "The
Thing" remains his very best motion picture. Although its reputation
over the years has never been honorary enough to land it a spot on
most "great movies" lists, "The Thing" is still one of my favorite
horror films, and – upon close inspection – masterfully crafted. It is
a daring and ingenious thrill-ride that is simultaneously unique and
chilling – a genuine relief for film buffs who are tired of the same
old horror knock-offs. This one, at the very least, is genuinely
unpredictable.
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X-RAMR-ID: 38341
X-Language: en
X-RT-ReviewID: 1301186
X-RT-TitleID: 1021244
X-RT-SourceID: 1382
X-RT-AuthorID: 6769
X-RT-RatingText: 4/4
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